From the opening brooding keys on Mollie's latest single Momentum you know this single’s a bit special, a powerful darker Adele like-intro with Mollie's voice reminiscent of Kate Bush in some bits and even a slight Beth Gibbons in others. The ominous intro sets the pace for the drama that follows... The track charts the dying embers of a relationship from the perspective of someone looking back at the clear signs that the other was wanting to go but not wanting to see it. Th

A particular kind of song that could only have been written by someone who has spent years learning how to carry things quietly. ‘Throw’, the second single from Liverpool-based queer non-binary artist Jensyn, is exactly that kind of song. Written in the aftermath of their grandfather’s death, ‘Throw’ navigates a terrain that most songwriters would shy away from: not grief itself, but the way grief fractures the people around it. Jensyn found themselves, as they have so often

A particular kind of music that does not ask for your attention so much as quietly earn it. SERALUNE, a newly launched virtual artist project built around cinematic electronic music and emotional atmosphere, makes exactly that kind of entrance with debut single ‘Where The Light Remains’, out today, 3 June 2026. Conceived and curated by Arturs Plaude, SERALUNE sits at the intersection of downtempo, ambient vocal, dream pop and new age — a project designed less for the danceflo

The Sydney Brit rockers open their debut album with an emergency in reverse, a singalong built on a single line, and a guitar part that arrived from somewhere out of the ether on a Friday night. FOLLOW: INSTAGRAM | WEBSITE | FACEBOOK | YOUTUBE | SPOTIFY The release will be supported by an East Coast Tour & limited 150 copy vinyl run! There is a moment at the top of ‘My Love’, if you listen carefully, where the heartbeat doubles as a bass drum accent and the sound of an emerge

There’s something quietly devastating about the phrase “it’s all good.” We’ve all said it — usually when things are anything but. Anna Hay has built her new single around exactly that contradiction, and the result is one of the most relatably gut-punching pop-rock tracks you’ll hear this year. The NYC-based singer-songwriter, originally from the German countryside, wrote the song about being in love with your best friend while watching them fall for someone else. It’s a speci

Marcus Assenmacher trades the shadows for the spotlight on a groove-driven meditation on letting go There’s a particular kind of courage in admitting you’re stuck. Not paralysed, not broken; just standing at a crossroads where every option except one has quietly closed itself off. That’s the space Twin Phase inhabits on ‘One Way Out’, and it’s a remarkably assured place to find a project still in its early chapters. FOLLOW: INSTAGRAM | WEBSITE | FACEBOOK | YOUTUBE | SPOTIFY |

The Bozeman-based bedroom-pop artist returns with Solar Eclipse, a double single that took shape - and fell apart, and came back together - in real time alongside the relationship it documents… There is a particular kind of song that cannot be rushed. Not because the writer lacks the craft, but because the subject matter refuses to resolve itself on a convenient timeline. Isaac Winemiller’s ‘In this Light’ is that kind of song. The focus track from his new double single Solar

Almost Alive’s new single is a full-throttle grunge statement… and it’s only the beginning. We caught up with Evan Kanter to find out what’s coming… ‘Deep Down’ feels like a real statement of intent - was there a specific moment you knew this was the direction Almost Alive needed to go next? I’ve always tried to make music that I personally would want to listen to. The first time I created a true grunge track, I immediately felt there was something special there. It had that

The Bearded Theory Festival is known for its diverse lineup and unique experiences, but this year’s I'm Not From London busking takeover added an extra layer of magic. The best weekend started last Wednesday running the acoustic stage: a collaboration between I'm Not From London & Acoustic Rooms. Amazing performance from all the acts and a special shout out to the bluegrass country finger picking sounds of Sticky Bones Jones for lending his amp and helping ensure the sublime

You know that feeling when something is ending but nobody has said it out loud yet? When you’re standing in the middle of something that used to feel solid and noticing, for the first time, that the ground has been shifting for a while? Energy Whores have written a song about exactly that, and it is quietly extraordinary. ‘Fade to Gray’, out now, is the New York band’s first single of 2026 and their most emotionally direct release to date. Co-produced with DJ and producer Fra

If this is the start of a new era for Jackson Mercer, we are absolutely here for every single second of it… There is a particular kind of magic that happens when an artist strips everything back to its most essential components and makes something that feels more fully realised than anything a big-budget studio session might have produced. Jackson Mercer is that kind of artist. A pop songwriter driven by an unrelenting creative curiosity and a genuine need to turn everyday ex

Miles Jeppson Ushers in the ‘GREEN’ Era: A Nostalgic Alt-Pop Movement Rooted in Youth, Identity, and Culture‘… ‘GREEN’ is less about revisiting a past era and more about translating its emotional language into a modern context. Jeppson isn’t replicating nostalgia—he’s reshaping it, using familiar textures to build something that feels current, cohesive, and culturally aware. There’s a particular kind of precision to Miles Jeppson’s ‘GREEN’—not in the sense of technical over-p

Mary Milton Unleashes A Moving Tribute and an Intimate Work In 'On My Shoulder' Mary Milton’s ‘On My Shoulder’ is built on scale—but what makes it compelling is how carefully that scale is controlled; At its core, the track is an intimate expression of grief, written in memory of her father, yet its sonic architecture expands far beyond that personal origin, creating a space that feels both deeply individual and widely resonant. The arrangement leans heavily into orchestratio

Confidence is a difficult thing to fake, and Dr Wippit does not try. ‘Yup’, the new single from the Colorado-based rapper and guitarist, announces itself with a low-slung bass groove and stays exactly there for its entire runtime, warm and unhurried, utterly sure of itself. “I took a drum beat and changed the instrument to bass guitar, and with some tweaking had a nice groove to put some guitar and keyboards on top of. It seemed to lend itself to confidence rap, so I took it

‘Good Morning LA’ ultimately works because of its restraint. By allowing the track to unfold gradually, Miller creates a sense of depth that extends beyond its runtime, leaving the listener with something that lingers rather than resolves… ‘Good Morning LA’ finds Walter Miller recalibrating his approach, trading immediate impact for a more gradual, emotionally driven build. Known for leaning into the scale of rock performance, Miller instead begins here with restraint, allowi

‘Maybe We’ll Make It’ ultimately presents Chapple as an artist with a clear and cohesive vision; The EP’s strength lies in how its structure and sound reinforce one another, creating a project that feels complete rather than fragmented. Corban Chapple’s ‘Maybe We’ll Make It’ is constructed with a level of intentionality that immediately sets it apart. Rather than presenting a loose collection of tracks, the EP is structured as a narrative, unfolding across five distinct stage

With ‘Space & Time’, Waver returns to a sound that is deeply rooted in their origins, while allowing it to evolve in ways that reflect the time that’s passed… The album draws heavily from 1990s guitar-driven rock, but its execution is shaped by the perspective of artists revisiting that framework with decades of experience behind them. The partnership between Mike Sartor and Dorsey Stone is central to the record’s identity. Sartor’s songwriting provides a melodic foundation—d

‘A Night With A Sazerac’ stands out for its commitment to immediacy. By prioritising feel over perfection, White creates a project that feels grounded in real experience, allowing its emotional arc to unfold naturally… Rose White’s ‘A Night With A Sazerac’ is a project that leans into immediacy, using its recording process as a defining feature rather than a background detail. Captured largely live and within minimal takes, the EP prioritises performance over refinement, resu