‘Too Alive’ captures Georgia Nicole at her most direct and emotionally exposed, transforming personal struggle into a heavy rock anthem that thrives on contrast — between vulnerability and power, isolation and collective release. Originally conceived as a piano ballad, the song’s evolution into a full-bodied rock track mirrors its thematic arc: quiet internal conflict expanding outward into something communal and cathartic. The track opens with tension rather than immediacy,

Known for her genre-fluid approach, Katie Dauson here distils her influences into something immediate and propulsive — a song that moves with purpose while carrying emotional weight beneath its bright exterior. From the opening moments, ‘Get Ready’ establishes its momentum through driving rhythm guitar and punchy percussion. The groove is restless but controlled, echoing the energy of 70s rock while remaining grounded in modern production. Dauson’s decision to introduce harmo

Built around funk-driven grooves and blues-rooted guitar work, the track feels immediate and open, living up to its title not just in theme, but in motion. There’s a sense of physical momentum here, a forward drive that reflects an artist stepping fully into his stride… Recorded and produced at Truphonic Studios in Charleston, South Carolina, ‘Fresh Air’ benefits from a tight, organic sound. The rhythm section locks into a groove that feels loose but controlled, giving the tr

Survivalist don’t return quietly. Their new album, ‘A Place For Those Who Suffer, Alone’, arrives 30th January via Seek & Strike Records, and it sounds like a band done with hesitation. Two years on from their last full-length, the Belfast four-piece come back sharpened—focused on control, weight, and impact. Operating under the banner of Groovecore, Survivalist fuse groove-heavy riffs with melodic tension and breakdowns built to land, not linger. There’s nothing accidental h

Rooted in blues and soul but shaped by country warmth and pop clarity, the track feels expansive without losing its intimacy — a hallmark of Elise’s songwriting across her growing catalogue. Produced by Nashville-based multi-instrumentalist Simon Reid, ‘Ain’t Linear’ unfolds with an unhurried confidence. A warm rhythmic foundation anchors the track, allowing subtle instrumental details to breathe: blues-inflected guitar lines, understated keys, and a groove that sways rather

At its core, ‘Going Going Gone’ is a song about movement — not the restless kind that comes from running away, but the deliberate, grounded choice to move forward. With this latest single, Rocky Michaels offers a quietly powerful moment of release, closing the chapter on his forthcoming fourth album Heroes while opening space for whatever comes next… Michaels has long been drawn to the emotional crossroads of everyday life, and ‘Going Going Gone’ sits squarely in that traditi

There is a rare kind of pop release that feels less like a single and more like an invitation into an era, and ÆTHR’s Santa Maria is precisely that… FOLLOW: INSTAGRAM  | FACEBOOK  | YOUTUBE  | SPOTIFY Emerging from Madeira Island with a striking blend of dark electro‑pop and narrative depth, this release feels like a statement of intent — bold, dramatic, textured and defiantly cinematic. ÆTHR has long spoken of his desire to bring visceral storytelling back to pop music, both

Walter Miller’s ‘Basic Instinct’ is a bold, theatrical pop-rock statement that thrives on confidence, clarity, and unapologetic self-expression. Drawing from the grand tradition of arena rock while maintaining modern pop precision, the track feels expansive without losing emotional focus — a carefully constructed anthem that celebrates fluidity, freedom, and instinctual truth. From the opening moments, the production signals intent. Live drums provide muscular propulsion, whi

‘The Change’ is Neil Friedlander’s most intimate and emotionally transparent work to date — an album shaped by reflection, sobriety, and personal recalibration… Across twelve tracks, Friedlander crafts a gentle but purposeful sonic world where growth unfolds gradually rather than dramatically. Produced by Chris Camilleri, the album blends shimmering indie-pop textures with folk-leaning songwriting. Acoustic elements coexist with soft electronics, creating a sound that feels o